My arranging work spans centuries and styles — from settings of medieval and Renaissance chant to new instrumentations of classical repertoire, to pop songs from the last fifty years reimagined for strings. Many of these pop arrangements have been featured internationally in Fever’s Candlelight Concert series. I’m especially passionate about an ongoing project with the music of Eugène Ysaÿe, bringing his lesser-known, unpublished, and sometimes unfinished works to life through new transcriptions, as well as an ongoing collection of folk songs from around the world arranged for small string ensembles, and music by composers from Terezín.